Theatre Is Not a Training Ground or a Compost Bin
Theatre Is Not a Training Ground or a Compost Bin
A few months ago, this filmmaker told me that someone had told him his screenplay would work better on stage, that he should turn it into a play. I thought that was ridiculous and I told him so, too. Why would you want to produce something designed for the screen on stage? The other way around, I understand. But in probing the question further — it sounded as if his screenplay was very wordy and they were trying to dismiss his work by sending it to the theatre, where they thought dialogue would be more welcome. This made me mad.
Theatre is not here to take your shitty film cast offs. We value words, sure, but if there’s not a reason to put those words on a stage, live, in front of people, in the moment, it doesn’t need to be there. If the piece is just a couple of people talking, make a radio show or something. Podcast that shit. It just felt like some film folks thought of the theatre as their compost bin, where they could throw their scraps and maybe have something to spread on their garden.
And this guy, with his dialogue heavy screenplay, had thought, “Maybe I should turn this into a play.” But he had literally no idea what went into producing a play. He thought it must be easier than producing a film. Don’t worry; I dissuaded him from that idea pretty quickly. His screenplay was a two person kitchen table type scenario. He could easily shoot it with a couple of actors and an iPhone if he wanted to. He could do it for almost nothing. To produce those same two people at a table in a reputable theatre in NYC would cost thousands upon thousands of dollars. AND — there’d be no particular reason to see it onstage. It wasn’t meant for the stage. It would bring nothing to the medium. The medium wouldn’t improve it.
I tend to believe that theatre should have a reason to be live, to be theatrical in some way. If it’s not necessary that an audience be in the room with it, I don’t really care about whatever is onstage. That’s my particular taste, of course. But yeah, film dudes wanting to offload their dialogue on our stages don’t make me happy.
Not long after this conversation, I met a student who wanted to work in animation. She had been advised to take some theatre classes to help her with this goal. She had no interest in theatre. She did not particularly want to do it — but she was open to exploration. And you know, that’s fine. Explore away. But I found myself irritated by the teacher who’d advised her to study theatre. I felt similarly about this as Mr. Screenplay. Like, if you want to do animation, do animation! Draw! Make silly voices! Put voices to your drawings. Put drawings to your voices. And sure, theatre can help all kinds of people with all kinds of stuff but it feels a bit, I don’t know, condescending. No one sends people to film or animation classes to improve their theatrical skills. Like, if the training in your medium is insufficient, work on that! That’s the issue, not some strange sideline investigation into an entirely different art form.
And I don’t mean to sound snobby about this. I am so happy to have people explore whatever kind of art they want. If you’re a banker who wants to study theatre, I welcome you! If you’re a nurse who wants to learn to be a clown, come on over! Join the theatrical party! But I’m not so keen on this using theatre to substitute for training in other art forms.
Theatre is an art all by itself. It is not training wheels for film or TV or animation or video. It’s just not. And it’s not the place to send cast offs from those arts either. There is, of course, great value in experimenting with other forms to improve your work in your own. In college, I studied a little printmaking and drawing and I think it gave me some perspective on my work in theatre. But broadening your horizons in other forms is very different than trying to use a form as a stepping stone either toward or away from your own. Explore, by all means. Experiment! Discover! I just hope that everyone who dips their toes in a new form gives that form the respect it deserves, in and of itself.
Does this sound a little defensive? Maybe it’s a little defensive. As someone with a lifetime commitment to theatre, I have a lifetime of people assuming I’m aspiring to film or TV. I have hundreds of experiences of telling people I work in theatre and instantly being asked, “Have you ever been on TV?” It’s not the same. It is not the same. Some people, yes, go back and forth and more power to them. TV will make you a whole lot more money than theatre ever can. But theatre is theatre. It’s not practice. It’s not training. It’s not a stepping stone. It’s not a compost bin. It’s not here to try and be something else. Theatre is theatre.
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Originally published at artiststruggle.wordpress.com on September 11, 2018.