The Collective Emily Davis

5 min readOct 16, 2019

October 15, 2019, 9:21 pm
Filed under: community, music, theatre | Tags: actor, Australian, Collective, E. Davis, Emily Davis, Emily Rainbow Davis, New Yorker, sexism, singer songwriter, Vineyard Theatre, writers publishing under male pseudonyms

You guys. Sometimes I get a little cranky about how common my name is. Like that time, a while back, when some other Emily Davis got into some serious debt and caused debt collectors to call me at various relatives’ houses because they couldn’t be sure I wasn’t THAT Emily Davis and they really wanted to find her.

Or when they wouldn’t give me a mailbox at my college post office because they said I’d just come in and withdrawn. Uh. Nope. I’d just arrived for my first year of college and I was super freaked out and the thought of not getting mail seriously wigged me out. (It was before email. No mail was serious back then.)

When I started to explore putting solo music online, I discovered an Australian Emily Davis who seemed to be doing pretty well. That was one other Emily. Then, a few years ago, I started to get tagged in Facebook events for shows I was not in. There was a new actress in town with my name and she was starting to get some traction.

Then recently I got a postcard in the mail for a show that declared “Emily Davis is mesmerizing” and I felt very weird.

On one hand: how nice! I am mesmerizing. I am glad someone finally noticed!

On the other hand: It’s not actually me that has been declared mesmerizing and it’s distressing to feel like this will be the only way I will ever be declared so. I started to feel bad about it and a little bit jealous of all the other Emily Davises who are doing better than I am at things I also do.

I mean, that’s the thing, I think. I’m pretty sure I wouldn’t begrudge the success of a lawyer Emily Davis or a VP of marketing Emily Davis or a construction onsite Forewoman Emily Davis. It’s only the Emilys in the arts that trouble me. And maybe not even just the arts in general. I think I’d be delighted about a sculptor Emily or even a lighting designer Emily. It’s just the Emilys who do stuff I do. The actor Emily and the singer/songwriter Emily are the ones I know about. I’d for sure struggle with a writer or director Emily, too.

This is not a new problem. When I started acting, I was pretty sure I wouldn’t be the only Emily Davis out there so I used my middle name right out of the gate. (My middle name is Rainbow for those of you who missed the announcement last year.) I thought it would help distinguish me from the herd — not just the other Emily Davises but anyone. When I moved more into writing and directing, though, I worried that my middle name might be a hindrance in people taking me seriously so I dropped it. As a woman in a male dominated field, I felt a need to project a tougher image. I needed all the help establishing authority that I could get. I submitted my plays as E. Davis, with the hope that someone might think I was Edward or Edgar or something and give E a shot they wouldn’t give Emily. There is evidence that this sort of thing makes a difference. That’s why I did it. But my work is pretty obviously made by an Emily and not an Edgar, I think — so that strategy never worked.

Anyway — I am still Emily Davis, regardless of whether the Rainbow is included and there are a lot of other Emily Davises. Because I found myself getting jealous and resentful of another Emily’s success, I decided I needed to reframe my responses to the others. I think I need to think of us a collective — the collective Emily Davis instead of competing ones. Instead of seeing another Emily’s success as a challenge to mine, I can see it as a lift for the collective. When one of us does well, we all benefit.

And this is not just a mind trick, I’ve realized. Practically, if Australian Emily has a hit song, it will drive traffic to my music as well, even if it’s only accidental. I mean, she gets 5000 listeners per month on Spotify and I get 36. I’ll take her spillover. As the other New York actor Emily gets great reviews for her production at the Vineyard, there will be those who, in searching for her, will end up on my website, who check out my theatre company. And vice versa. Maybe someone looking for me will find one of them and fall in artistic love.

Previously, I’ve really only experienced the painful moments — when someone expected to see a different Emily and is disappointed to meet me instead. But I think, as a collective, we can turn this around. I am uniquely myself — the one and only Emily Rainbow Davis but I am one with the collective Emily Davis and I am proud of all of us.