Is a Seventeen Year Old Girl Convincible?

Emily Davis
7 min readAug 12, 2020

Is a Seventeen Year Old Girl Convincible?

August 11, 2020, 11:44 pm
Filed under: age, anger, education, feminism | Tags: creeps, Edith Wharton, girls, seventeen, The Buccaneers, young women

I sort of thought I was all done sorting through my past and re-evaluating. I’d scanned through it during the various waves of Yes All Women and Me Too. But the other day, I found myself suddenly absolutely newly furious about a relationship I had when I was 17. Before this moment, I had mostly fond memories of this relationship and, despite some ups and downs, I remained friends with the man. Until now, I’d seen this relationship with the eyes of the seventeen-year-old girl who was in it. Now I’m 46 and I realize that I had no business being involved with a twenty-three-year-old man. He should absolutely not have been messing around with me, a seventeen-year-old girl.

At the time, it all seemed very reasonable. I saw myself as an unusually mature young woman who’d outgrown boys my own age. To be involved with a man who’d already graduated from college, had jobs, even gone to war, well, there was no question I was into the idea. His attentions seemed to confirm what I imagined about myself — that I was a grown-up person ready for grown-up relationships.

But the woman I am now has suddenly realized that I was not nearly as grown up as I imagined myself and that this experience, while not all that bad, was also not good. One of the things that suddenly dawned on me was a new interpretation of his friends’ behavior. I thought they didn’t like me. I thought they thought I wasn’t good enough for their friend. I thought they were underestimating me, that they didn’t know me well enough to understand how mature I was. I realize now that they were trying to protect me. It wasn’t that they didn’t like me — they just didn’t think a twenty-three-year-old man should be messing around with a seventeen-year-old girl. They told their friend not to mess around with me and I suppose he got sort of half the message — because he told me we couldn’t date — we could only be friends. And we were. Except for when we’d make out. Except for when we’d roll around in his bed. Except for when he’d try to sneak past my boundaries. But it had to be a secret. Which now I recognize as a giant red flag — but at the time just seemed necessary, since his friends did not approve.

Now, I know his friends were right but I wonder if their attempts to help actually made the situation worse. So much of the damage was around the secrecy. Because I was a kid, I thought the secrecy was because I wasn’t good enough to date out in the open.

When this guy remarked that all of his girlfriends had been extraordinarily beautiful, I felt that the reason I wasn’t his actual girlfriend was because I lacked this essential extraordinary beauty. The whole situation was an exercise in shame. But the seventeen-year-old me could never have been convinced that this was a bad idea. Any questioning of it seemed like a knock against my own sense of maturity. Now, I know I was still a kid but, at the time, I genuinely thought I was grown.

I think this is a major factor in a lot of these predatory scandals we see. The girls think of themselves as grown-up women who are suddenly being welcomed to the grown-up world by actual grown-ups — and it is not until decades later that they realize the damage.

I’ve been trying to think of what anyone could have said or done at the time to shift my thinking around it and all I can come up with are a couple of things that shifted my thinking now. One of those things was reading Edith Wharton’s novel, The Buccaneers, and the other was watching the TV series version of the same. I feel it may have been a combination of the two. I’ll walk you through it a bit.

The central character of the story, Nan St. George, is fairly childlike when we meet her. She’s just been given a governess to look after her and she resents being given a babysitter when she feels grown but then comes to adore Miss Testvalley, her English governess. Her older sister has just come out (in the debutant sense) and so they all troop over to England for the London season. Nan meets Guy Thwaite on a tour of his house and they have some stimulating conversation about the estate, the landscape and the paintings and it’s clear they like each other but it’s also clear she’s a child.

So he goes off to South America to make some money and she meets the Duke. And the Duke is charmed by her and asks Miss Testvalley what he should do about proposing. She tells him to wait, and that, “in many ways Nan is still a child really” and he replies that that is what he likes about her.

This moment is gross in the book but it made an even bigger impact on me in the TV show somehow. Because we have seen how like a child she is, because the actor (Carla Gugino) is playing her as this vivacious, luminous, enthusiastic creature that, of course, we find charming. But we can also see how she is still a child, even though she has a woman’s body.

Suffice it to say that this marriage does not end well for The Duke and Nan. She grows up and he doesn’t like it.

There’s something about watching a girl, who, of course, is longing to be seen as an adult, end up in the hands of a man who doesn’t recognize that he should wait for her to grow up that turned on a series of lightbulbs for me.

I have no idea what effect it would have on an actual teenage girl. Would she recognize her own vulnerability as a child who feels ready to be an adult but isn’t quite? Would it help her avoid the Dukes of this world?

The educator in me really wants to be able to solve this for future generations. And, of course, I think stories are the answer because stories are powerful. The plethora of stories, songs, plays, movies, TV about a man falling in love with a young girl have played a role in how normal this feels to everyone. She was just seventeen, if you know what I mean. It’s not just Lolita. It’s story after song after film after novel after opera after play after book.

We need more stories that show us why the girl dating the older man is not a great idea. From this angle, the red flags are legion but how do we help girls see the red flags when they are blinded by the romance of being brought into the grown-up world by a grown-up man? More importantly, what stories would help men to see that underage women don’t exist? Underage women are girls. They are still children, even when they look like women.

Because I’ve spent time in a lot of high school classrooms, I know the difference. I’ve met a lot of highly mature, intelligent, vibrant teenagers. They are extraordinary humans but they are clearly still children. I cannot imagine how a healthy adult person could see them as a prospect for a romance. They are children. Intelligent, energetic, passionate children but still children.

No teenage girl wants to be seen as a child, though, which is why this problem is so hard to shake. There is nothing anyone could have said to me that would have convinced me that a relationship with a man was a bad idea. This is true for my friends at the time, too, who also got involved with men much older than themselves. None of us could have been convinced we were still girls and that these relationships might have consequences beyond us feeling grown up and ready for the world. Stories that shift this might be good for the girls but given that they are still children, I think it’s actually more important for men to see these stories, to learn the difference between a woman and a girl, to recognize their own power as adult men and wield it for good. It shouldn’t take an unfinished novel written in the 1930s to show us the way. There should be more stories. And if you’re seventeen and reading this, maybe just realize that that older man who is after you is kind of a creep, even if he seems cool now. You don’t need to wait 29 years to discover his creepitude. I’m here to tell you, if he’s a man and you’re a kid, he’s a creep.

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Originally published at http://artiststruggle.wordpress.com on August 12, 2020.

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Emily Davis
Emily Davis

Written by Emily Davis

Theatre Artist, writer, blogger, podcaster, singer, dreamer, hoper

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